Launched in 2017, Frameland set out to provide a podium for the cinematic roads less travelled. Where writers can turn in a piece about any subject from any era, with quality of writing being our only requirement. We believe film doesn’t stop at the classics or the modern masterpieces, and that as critics and creators we have an obligation to expand horizons, ours as well as yours. Though obscurity (either in hypothesis or film) is not a necessity, it is our preference.
Our goal to maintain this level of autonomy comes at a price. Or the lack thereof. We keep our website clean from outside interference, we pay server costs out of our own pockets and alocate our dwindeling spare time to update the site twice a week. We run Frameland for the love of it and we hope it shows.