Being an ordinary schoolboy in Japan is not self-evident. As is shown in two films currently playing at the 10th anniversary of Camera Japan.
A retrospective of of Mikio Naruse’s films offers a great chance to see the development of Japanese society and Japanese film history through his cinematic perspective.
A question prompted by two documentaries, Plasticine Family and THE BEKSINSKIS.
Exploring politcal histories through personal family stories in The General and Me and Adriana’s Pact.
The exhibition is both interesting for people not too well acquainted with Scorsese’s work, and for the true fans and admirers.
What does Julian Rosefeldt’s and Cate Blanchett’s Manifesto art installation/film tell us about art and context?
On the documentary as contemplative art form at the 57th Krakow Film Festival.
Milagros Mumenthaler talked to Frameland about her latest film, The Idea of a Lake, in which she explores the importance and experience of memories, and the tangibility of nature within.
In which we talk about the making of Mrs. K, Asian cinema and food, censorship and the difficulties of independent film making in modern day Hong Kong.