Hong Sang-soo’s Hotel By The River saw its North American premiere at TIFF 2018
We continue our TIFF coverage with Jafar Panahi’s 3 Faces, in which the filmmaker almost could be said to pay homage to his late mentor Abbas Kiarostami.
Despite making his first Spanish film with Everybody Knows, Iranian author Asghar Farhadi returns to familiar territory.
Charlie and Hannah’s Grand Night Out opens the Belgian Film Festival in the Netherlands this weekend.
Hendrik de Vries discusses some of his personal highlights he encountered during his very first Imagine Film Festival.
In our first report on the 2018 edition of the Imagine film festival, we focus on the festival’s focus on Kick-Ass Women, including the films Revenge and Tigers Are Not Afraid, amongst others.
From Barbara to Jeannette, the recent French Cinema programme at the Lincoln Center was full of delight.
Kahlil Joseph breaks through cinematic boundaries in his first European solo exhibition.
Gone are the days where women are restricted to objects of desire, love, or adoration. Women appear on screen as fully flawed human beings and this is nowhere more apparent than in the IFA’s selection of films.
The festival this year gave insight to the state of Hong Kong cinema under partial Chinese rule, by showing Monster Hunt 2, A Better Tomorrow 2018, The Brink and In Your Dreams.
The 38th edition of the International Film Festival Assen presents the women of the future in Ouaga Girls, Amal and Tehran Taboo.
It’s International Women’s Day today! So, of course Frameland spoke with Jennifer O’ Connell, programmer of the 38th edition of the International Film Festival Assen, which focusses on female oriented films only and takes place this weekend.
Featuring teenage rebellion from Thailand and China, South Korea reckoning with its past and many Indonesian films.
Tamil masculinity and social critique in the commercial cinema of Ram
The International Film Festival Rotterdam (IFFR) is a festival of many pleasures, from South Korea, West Bengal, and France amongst other places.
This year, IFFR included a PACT (Pan African Cinema Today) program in its schedule, in order to shine a light on Africa’s rich film culture. The documentary SenCinema observes both film and cinema culture in Africa from a wide range of perspectives.