It’s International Women’s Day today! So, of course Frameland spoke with Jennifer O’ Connell, programmer of the 38th edition of the International Film Festival Assen, which focusses on female oriented films only and takes place this weekend.
Del Toro’s monsters are vastly different. Instead of representing fears or anxieties, they are outsiders seeking to find their place. In Del Toro’s world, monsters are endearingly human in their hopes, longings, and faults.
Claudi Moll discusses how the themes and Jesus narrative in the anime, Serial Experiments Lain are more relevant than ever before.
Claudi Moll questions modern day Cinema Etiquette.
As Blade Runner 2049 is released worldwide this week, the Frameland writers recommend six cyberpunk films you might not have seen.
Poltergeist’s unfinished swimming pool is rife with symbolism. A metaphor for the American Dream, and the unattainability thereof.
From cherry pies to purple seas, the Frameland team recall their favourite thing from Twin Peaks: The Return.
With the recent passing of Tobe Hooper, Claudi Moll brings homage to his legacy.
Despite the film’s eight international awards, this film greatly divided South African audiences, the country from where it came. Claudi Moll explores this divide.
Florence Welch and Vincent Haycock, however, have succeeded to combine all these elements together so seamlessly to create a new modern myth. One that deserves to be recognized and studied for its own merit.
Knowing that McQueen places a strong emphasis on visual story telling in his films, it can be no accident that he places a heavy emphasis on stills shot from nature.
Five Frameland authors share their favorite memories of Twin Peaks, just before the new season starts.
Jim Jarmusch somehow captured our collective crisis of what it is to be human in the modern day and how to go about with our planet and with others, by portraying superhuman creatures.