The Frameland Team takes a closer look at the oeuvre of Ida Lupino as female director in classic Hollywood, consisting of only 7 films.
How November is inspired by Marketa Lazarová, a marvel of dark, craggy faces against white skies and landscapes (and vice versa), splitting castles in half and charging across meaningless borders.
Scout Tafoya talks to writer and critic Luc Sante about Point Blank, Donald E. Westlake and Johnny To.
The Frameland team looks back on 2017 and picks out their favorite underseen and unloved films in international cinema.
Growing old together, meeting the in-laws, flying ships that express romance, a chance connection on a beach between two strangers and much more: Frameland’s favorite cinematic moments of 2017 deal with all kinds of human connections, expressed in a multitude of ways.
Hey, gunner man, that’s quicksand, that’s quicksand that ain’t mud: America’s soldiers get lost in the flood in possibly Walter Hill’s best.
Alternately elegant, gorgeous and crudely, agreeably psychedelic, Eyes of Fire is what happens when talent and imagination can’t be stymied by production circumstances.
As Blade Runner 2049 is released worldwide this week, the Frameland writers recommend six cyberpunk films you might not have seen.
Romero loved and respected his crew and his actors, and this movie is explicitly about that love, which ultimately matters more than the symbolic quest Billy is on.
As Christopher Nolan’s war film Dunkirk is released worldwide, Frameland recommends watching one or up to all seven of Sam Fuller’s war films.
Every image of Dawson City is so full and rich you could see whole movies springing up around them.